Friday, May 22, 2020

Michel Foucault Biography and Intellectual History

Michel Foucault (1926-1984) was a French social theorist, philosopher, historian, and public intellectual who was politically and intellectually active until his death. He is remembered for his method of using historical research to illuminate changes in discourse over time, and the evolving relationships between discourse, knowledge, institutions, and power. Foucault’s work inspired sociologists in subfields including sociology of knowledge; gender, sexuality and queer theory; critical theory;  Ã‚  deviance and crime; and the sociology of education. His most well-known works include Discipline and Punish, The History of Sexuality, and The Archaeology of Knowledge. Early Life Paul-Michel Foucault was born to an upper-middle-class family in Poitiers, France in 1926. His father was a surgeon, and his mother, the daughter of a surgeon. Foucault attended Lycà ©e Henri-IV, one of the most competitive and demanding high schools in Paris. He recounted later in life a troubled relationship with his father, who bullied him for being â€Å"delinquent.† In 1948 he attempted suicide for the first time and was placed in a psychiatric hospital for a period. Both of these experiences seem tied to his homosexuality, as his psychiatrist believed his suicide attempt was motivated by his marginalized status in society. Both also seem to have shaped his intellectual development and focus on the discursive framing of deviance, sexuality, and madness. Intellectual and Political Development Following high school Foucault was admitted in 1946 to the École Normale Supà ©rieure (ENS), an elite secondary school in Paris founded to train and create French intellectual, political, and scientific leaders. Foucault studied with Jean Hyppolite, an existentialist expert on Hegel and Marx who firmly believed that philosophy should be developed through a study of history; and, with Louis Althusser, whose structuralist theory left a strong mark on sociology and was greatly influential to Foucault. At ENS Foucault read widely in philosophy, studying the works of Hegel, Marx, Kant, Husserl, Heidegger, and Gaston Bachelard. Althusser, steeped in the Marxist intellectual and political traditions, convinced his student to join the French Communist Party, but Foucaults experience of homophobia and incidences of anti-semitism within it turned him off. Foucault also rejected the class-centric focus of Marx’s theory, and never identified as a Marxist. He completed his studies at the ENS in 1951 and then began a doctorate in the philosophy of psychology. For the next several years he taught university courses in psychology while studying the works of Pavlov, Piaget, Jaspers, and Freud; and, he studied relationships between doctors and patients at Hà ´pital Sainte-Anne, where he had been a patient after his 1948 suicide attempt. During this time Foucault also read widely outside of psychology into shared interests with his long-term partner, Daniel Defert, which included works by Nietzsche, Marquis de Sade, Dostoyevsky, Kafka, and Genet. Following his first university post, he worked as a cultural diplomat at universities in Sweden and Poland while completing his doctoral thesis. Foucault completed his thesis, titled â€Å"Madness and Insanity: History of Madness in the Classical Age,† in 1961. Drawing on the work of Durkheim and Margaret Mead, in addition to all of those listed above, he argued that madness was a social construct that originated in medical institutions, that it was distinct from true mental illness, and a tool of social control and power. Published in abridged form as his first book of note in 1964, Madness and Civilization is considered a work of structuralism, strongly influenced by his teacher at ENS, Louis Althusser. This, along with his next two books, The Birth of the Clinic and The Order of Things showcase his historiographical method known as â€Å"archaeology,† which he also used in his later books, The Archaeology of Knowledge, Discipline and Punish and The History of Sexuality. From the 1960s on Foucault held a variety of lectureships and professorships at universities around the world, including the University of California-Berkeley, New York University, and the University of Vermont. During these decades Foucault became known as an engaged public intellectual and activist on behalf of social justice issues, including racism, human rights, and prison reform. He was very popular with his students, and his lectures given after his induction into the Collà ¨ge de France were considered highlights of intellectual life in Paris, and always packed. Intellectual Legacy Foucaults key intellectual contribution was  his deft ability to illustrate that institutions--like science, medicine, and the penal system--through the use of discourse, create subject categories for people to inhabit, and turn people into objects of scrutiny and of knowledge. Thus, he argued, those who control institutions and their discourses wield power in society, because they shape the trajectories and outcomes of peoples lives. Foucault also demonstrated in his work that the creation of subject and object categories is premised on hierarchies of power among people, and in turn, hierarchies of knowledge, whereby the knowledge of the powerful is considered legitimate and right, and that of the less powerful is considered invalid and wrong. Importantly, though, he emphasized that power is not held by individuals, but that it courses  through society, lives in institutions, and is accessible to those who control institutions and the creation of knowledge. He thus considered knowledge and power inseparable, and denoted them as one concept, knowledge/power. Foucault is one of the most widely read and frequently cited scholars in the world.

Friday, May 8, 2020

Essay on The Matrix - 1072 Words

The Matrix The Matrix is a science fiction movie about artificial intelligence computers replacing mankind. I believe that this movie is a common type of display from the media is common paranoia so that they can get a reaction from people and sell their story. In the case of The Matrix, the movie dazzles people with awesome special effects using modern computer technology, which I find ironic. I find it self-conflicting and hypocritical for the media to use modern computer technology for their own good to show people how bad technology is. Amy Bruckman and Howard Rheingold would probably find this movie interesting in that it disagrees and agrees with certain aspects about their beliefs about the use of computers. The Matrix†¦show more content†¦At the end of the movie he does so and saves all of mankind from the A.I. Only a superhero could save the common man from the Matrix. Throughout all of this the watcher of the movie is experiencing the newest and most advanced form of computer, digital computer special effects up to this point in time. I find that the underlined theme of the movie is that A.I. is bad. I also see that the good people in the movie used lots of advanced technology that was not A.I. to help Neo in his quest to defeat the Matrix. So I think that the movie suggests that there is no point in developing technology to great extents because one day it will catch up to us and possibly be the end of us. It seems to me that Rheingold would see no such problem as this in the future and technology could only benefit mankind. He suggests that online communities are good. He designed the Well, which is a place online where people can find chatrooms to find an online community that suits their needs. For example, in his article in Cyberspace he shows how his daughter had a tick and his online community helped him to remove it faster then his doctor could call him back, thereby benefiting his daughter by removing the tick and himself because he needed not pay the doctor to perform the task. Nowhere in his article does he show how there is any bad in online communities. He only shows more specific examples to support his argument. I am not suggestingShow MoreRelatedEssay on The Matrix2824 Words   |  12 Pages The Matrix Interweaves much symbolism, mythology, philosophy, and psychology. On the surface, the movie challenges the dominance of technology in our culture and predicts an apocalyptic result from the use of artificial intelligence. Yet, behind the human struggle for survival is a mythical backdrop upon which are backlit some of C.G. Jungs basic ideas regarding the human psyche. These Jungian ideas include the ego-Self relationship and how it relates to the persona, the shadow, individuation,Read MoreEssay about The Matrix1338 Words   |  6 Pagestantalizing movie, quot;The Matrixquot;, a breed of AI computers takes over the world. It harvests human embryos in laboratories called quot;fieldsquot;. It then feeds them through grim looking tubes and keeps them immersed in gelatinous liquid in cocoons. This new quot;machine speciesquot; derives its energy needs from the electricity produced by the bil lions of human bodies thus preserved. A sophisticated, all-pervasive, computer program called quot;The Matrixquot; generates a quot;worldquot;Read MoreThe Matrix Essay899 Words   |  4 PagesCompare and Contrast The Matrix with the readings from Plato and Descartes. What are some similarities and differences? An Essay Submitted to Jason Elvis BY Williestine Harriel Liberty University online September 24, 2012 Compare and Contrast The Matrix with the readings from Plato and Descartes. What are some similarities and differences? After reading The Matrix, and reading from Plato and Descartes, I find that there are some similarities and differencesRead MorePlato And The Matrix Essay1463 Words   |  6 PagesIn â€Å"The Matrix† and Plato’s Phaedo and Republic questions of what makes up a whole and fulfilling life are answered. Both The Matrix and Plato provide alternate forms of reality, one that is based on truth and is fulfilling and one that is based on a false reality that offers false forms of fulfillment. The Matrix and Plato show the difference of living a life in a true reality and a â€Å"fake† reality where everything inside this reality is fake making the lives inside this reality fake. True educationRead MoreEssay about The Matrix1131 Words   |  5 PagesThe Matrix Written and directed by the Wachowski brothers, ‘The Matrix’ is a science fiction film, which was released in the year 1999. It was the first film to use the now famous camera technique of ‘bullet time’ and also introduced wirework martial arts into conventional cinemas. Its vision of the future is similar to other science fiction films such as ‘Men In Black’ with the agents always wearing sunglasses and the idea of man vs. machine\evil. In the openingRead More The Matrix Essay1310 Words   |  6 Pages The Matrix In 1999 directors/writers Larry and Andy Wachowski (Bound) made a dark and often disturbing Science Fiction film, The Matrix. With the production expertise of Joel Silver (Commando, Predator, Lethal Weapon series, and Die Hard series), Andrew Mason (The Crow, Dark City) and Barrie M. Osborne (Face/Off, The Fan, Childs Play), The Matrix is sure to be a favorite among Science Fiction movie fans for years to come. The Matrix won the Oscar award in all four categories it was nominatedRead MoreEssay on The Matrix577 Words   |  3 PagesThe Matrix The Matrix has been doing remarkably well in sales since its release in the cinema last summer and its recent video releases. This is largely due to stylish advertising techniques and word of mouth. The Matrix has been approved by critics who enjoy the film and also the ones who dislike the theme. Among young viewers, it has already achieved great status. So what else is the film about? Firstly the film copies the theme from many popular films that came before it, and involves intelligentRead MoreEssay on There is No Escaping the Matrix1916 Words   |  8 PagesThere is No Escaping the Matrix In the video game world anything is possible, and if your player dies you can always play again. The videogame industry is exploding in the market place; its far from childs play and far from the days of pong. In the most recent issue of Entertainment Weekly (December 6, 2002) there is an article, Video Game Nation, discussing a new video game experience being touted as the wave of the future, The Real World meets The Matrix. In this virtual world called TheRead MoreThe Matrix And The Allegory Of The Cave1513 Words   |  7 PagesThe Matrix and the Allegory of the Cave focus on one central idea: What is real?. They engage the audience in a fictional world where people live in false realities without knowing it. They make us question our own knowledge. Their storylines connect in that the protagonist discovers that everything he knows is a big lie and now he must discover the truth. The protagonist is thrown all of the sudden into the real world and then, he continues to seek the ab solute truth. Neo and the prisoner inquireRead MorePlato, Descartes, and the Matrix603 Words   |  3 Pagesthis information as reality. The movie The Matrix is based on the Brain in the Vat. The Matrix, Rene Descartes, Meditation I Of The Things Of Which We May Doubt and Plato’s, â€Å"The Allegory of the Cave,† all hold similarities to the Brain in the Vat; therefore they hold similarities to each other. Although they hold similarities to each other there are also some differences between these three reasons. The similarities between the movie The Matrix, Plato’s cave analogy and Descartes’ Meditation

Wednesday, May 6, 2020

Stefan’s Diaries The Craving Chapter 17 Free Essays

The reception was held in a different grand hall. My brother, Lydia, Bridget, and I formed a receiving line by the entrance to thank and greet our guests. Damon put it on a bit, bowing and pretending to know people he didn’t. We will write a custom essay sample on Stefan’s Diaries: The Craving Chapter 17 or any similar topic only for you Order Now Compelling them into thinking he was an old friend, no doubt. While Bridget showed off her ring, Lydia gave everyone warm kisses or handshakes or smiles, whatever their relationship dictated. She even laughed when Bram tried to snatch a â€Å"farewell† kiss. Bridget stood by her side, beaming with what looked like genuine joy. â€Å"Thank you for coming today,† I said time and time again, the words tasting like chalk on my tongue. â€Å"We’re so glad you could come celebrate with us. My thanks for being here today. Pleased to meet you, thank you so much for being here.† â€Å"Stefan Salvatore?† demanded a matron in an almost unmoving thick gray silk dress and pearls, holding on to my hand for longer than was strictly necessary. She pronounced the e at the end of my last name and fixed me with an eye as stony as her skirts. â€Å"Yes, ma’am,† I said, giving her as warm a smile as I could. â€Å"Of the Florentine Salvatores? Prince Alessandro?† â€Å"I’m not rightly sure, ma’am,† I answered, trying to keep my smile. â€Å"When my father came to this country he declared himself an American. He didn’t keep up with our old relations.† Her eyes widened and her grip on my hand became loose. â€Å"An immigrant. How charming.† She didn’t smile and pulled her hand out of my grasp, moving on. Several hundred people later we finally got to sit down. The bride and groom’s table was festooned with palm fronds and garlands of huge flowers, and was covered with every expensive delicacy you could want to eat – or show off that you could afford. There was a seafood appetizer of oysters and other delicacies including Scottish smoked salmon and Russian caviar. Then came a main course that consisted of an absolutely staggering number of dead animals: roast beef, quail, venison, pheasant, woodcock, duck, lamb, roast pork, hot and cold, braised and grilled, minced and sauteed, sliced and in pies. It was all crowned off by a wedding cake, five tiers of the finest fruitcake covered in fondant and decorated with scrolls, swoops, columns, and sugar birds. The black-jacketed waiters poured glass after glass of champagne, and everyone chatted gaily. But my muscles were tied in knots. The â€Å"wedding† was officially over. Damon and I were legally married into the Sutherland family. It was only a matter of time before he began the next phase of his plan – whatever that ended up being. â€Å"Darling, get me a glass of water, would you?† Lydia was asking my brother, touching him tenderly on the cheek. â€Å"In some ceremonies, it’s the lady’s place to love, honor, and obey. Shouldn’t you be getting one for me, little wife?† he smiled, but in a way I didn’t like. â€Å"Of course! Anything for you, dear,† Lydia said. â€Å"Water, wine†¦Ã¢â‚¬  â€Å"Blood?† Damon prompted. Lydia laughed. â€Å"If you wish, it’s my command.† Bridget didn’t eat any of the expensive repast, leaping up from the table constantly to talk to her friends, holding out her hand and showing off her ring. I spent most of dinner nervously pushing very expensive food around a very expensive plate with a very expensive, very heavy silver fork, never taking my eyes off Damon. As dessert came out, Bram took pity on me and sat down in Bridget’s place for a moment. â€Å"Congrats, old chap,† he said, shaking my hand. â€Å"You and Damon snagged two of the best New York has to offer.† I nodded miserably. â€Å"Mr. and Mrs. Sutherland are just terrific. And Margaret†¦ well, she’s a spitfire, but I trust you’ll be able to win her over eventually.† My head snapped up. â€Å"Have you noticed anything, er, odd about Margaret?† Bram had known the Sutherlands since he was born. Perhaps he had some insight into what made Margaret able to withstand Damon’s charms. Bram scratched his floppy black curls. â€Å"Odd?† â€Å"Yes, she’s different from the others. Stronger,† I said leadingly. Bram let out a rueful laugh. â€Å"That’s for sure. One time when we were younger, I stole her favorite doll to use it as a nurse in a war game with my brother. I swear, the look she gave me! She didn’t even have to touch me to send a painful shock through my entire body. Needless to say, I never played with her toys again.† â€Å"She was able to hurt you without touching you?† I pressed, trying to put the pieces together. But just then, Winfield tapped me on the shoulder and nodded toward a back room. Damon came with us, a mock-serious look on his face. As we quietly filed past the guests and down a side corridor, I strained to look out the windows. Through trees and towers I could see the mighty Hudson and the Palisades, a golden sun shining down on the sparkling river, the green forests, boats and barges parading slowly up and down the water. I almost did feel like a king surveying his countryside, since marrying into this family set me into the top of New York’s highest society. We entered a dark-paneled smoking room, and Winfield immediately set about pouring some ruby-red sherry. Damon pulled out a silver flask and right there in front of Winfield spiked his drink with blood. Human blood. â€Å"To marriage eternal,† Damon said, raising his glass. Winfield agreed energetically. â€Å"To marriage.† I just nodded and tossed back the drink, hoping the cool liquid would sate my thirst. â€Å"There’s a serious matter I need to talk to you lads about.† Winfield settled his frame into a large desk chair. Damon leaned forward expectantly. I tensed in my seat, ready for whatever would come next. â€Å"The matter of a dowry.† I squeezed my hands together. Damon grinned, exposing his gleaming canines. He threw himself on to a velvet couch. â€Å"Just what I was going to ask you about, Father. You don’t mind me calling you that, do you?† â€Å"Not at all, my boy,† Winfield said, offering Damon a cigar. My brother took it, carefully trimming and lighting the end in a matter so professional I wondered where he picked up the habit. The two sat puffing for a moment, releasing large clouds of smoke into the tiny room. I coughed. Damon, enjoying my discomfort, took the effort to blow a smoke ring my way. â€Å"Now here’s the thing. I want you two boys to be able to stand on your own two feet. My girls deserve real men, and if anything should happen to me, I want to make sure they’re taken care of.† â€Å"Of course,† Damon said, out the corner of his mouth, around the cigar. â€Å"I have several mines in Virginia; one is gold. They could use some managing. And then there are the railway shares I’ve bought into†¦Ã¢â‚¬  My brother widened his eyes. I looked away, unable to bear watching him compel this poor man. â€Å"I would prefer cash,† he said. â€Å"All right, that seems reasonable,† Winfield said without pause or even blinking. â€Å"An annuity, then? A living salary?† â€Å"Up front. All of it,† Damon said pleasantly. â€Å"One twentieth of my estate, capital, and holdings, then?† Winfield asked politely. â€Å"More like a quarter.† An automaton, Winfield mindlessly agreed to everything Damon suggested. But I couldn’t figure it out – would this keep Winfield safe? Would Damon just keep him around, ordering whatever he pleased out of him? â€Å"I’m glad you’re so concerned about taking care of my girls in the manner to which they have been accustomed,† Winfield said, but his voice sounded hollow, as if somewhere some tiny part of his mind knew something was terribly wrong. The poor man drew out some checks and a pen. In a moment it was done, and Winfield presented me with a check with so many zeroes on it, it was barely readable. Damon bared his teeth in something that was less a grin than a rictus of victory. He stood up, holding his glass of blood-laced sherry next to me. The smell was intoxicating. It took every ounce of my strength not to leap up and drain the cup. And then Winfield said the most amazing, banal thing in the world. â€Å"Those checks will take a while to clear,† he apologized, unaware of how those eight words might have just saved his life. Damon glowered, thunderheads in his eyes. It was a look of angry frustration that was famous in Mystic Falls, and something no one wanted to be responsible for causing. It was a dangerous thing to disappoint my brother. He crumpled the check in his hands. â€Å"You didn’t mention that before,† he growled, waving the sherry under my nose. I stiffened, my thirst making my fangs burn. â€Å"I’m going to have to sell a great deal of my estate, capital, and holdings to get the cash to back this,† Winfield answered so plaintively it made me sick. â€Å"So do it!† Damon ordered. But I was no longer paying attention. I had to get out of the room. My Power reacted to my hunger – to my anger – and I felt the beginnings of a change. â€Å"I have to†¦Ã¢â‚¬  I didn’t even bother making up an excuse. I pushed my way out of the room, past my evil brother and our sad father-in-law, out of the castle, and into the black night where I belonged. How to cite Stefan’s Diaries: The Craving Chapter 17, Essay examples